NASA
Employed Photo Artists
To Airbrush Out Apollo Anomalies!
Finally, film evidence
has come to light proving that NASA has been airbrushing out anomalous
objects on the moons surface!
During the Disclosure
Project press conference, former NASA employee, Donna Hare, revealed
how NASA managed to cover up and erase anomalies such as UFOs from
satellite photos. She was a female slide technician and received
numerous space awards including 1969 Apollo Achievement award from the
National Aeronautics and Space Administration, 1973 Skylab award, a
medallion for success on the Skylab-Suez Test project. Other awards
for her skill as a technical Artist includes a 1994 recommendation by
Texas Governor Ann Richards to the Advisory Committee of Psychology
Associates. Donna
Hare was interviewed on Washington D.C. Radio Station. The following is a partial
transcript of a radio talk show that occurred 5/6/95 on WOL-AM in Washington
D.C. which is simulcast on WOLB-AM in Baltimore Maryland. The show is broadcast
every Saturday night at 12:00am and is called "UFOs Saturday Night".
Donna Tietze: Correct!
E.D.: Donna welcome to UFOs Saturday Night. Tell me and tell everyone the
incident that you recall as they say in the law court, did there come a time
when you walked in a photo lab and someone told you something quite astounding?
What happened that day?
D.T.: Yes Elaine, that's true. During the Apollo mission I worked at NASA
throughout those Apollo missions and I did leave NASA at the time the space
shuttles began. I worked in building eight in the photo lab. I had a secret
clearance so I thought I could go anywhere in the building. And I did go into
one area that was a restricted area. In this area they developed pictures taken
from satellites and also all of the missions, the Apollo missions, flight
missions. I went in and I was talking to one of the photographers and developers
and he was putting together a mosaic which is a lot of photos, smaller photos
into a larger photo pattern. And while I was in there I was trying to learn new
methods and new things about the whole organization and I was looking at the
pictures and he directed my attention to one area, he said, Look at that. I
looked and there was a round oval shaped, well it was a very white circular
shape of a dot and I, it was black & white photography, so I asked him if that
was a spot on the emulsion and he said, "Well I can't tell you, but spots on
the emulsion do not leave round circles of shadows."
E.D.: So there was a shadow on the ground?
D.T.: Right, a round shadow! And I noticed that there were pine trees,
now I don't know where this area was or what, you, pretty close to the ground
what I saw but I didn't see outline of the continent. But I did notice that
there was shadow under this white dot and I also noticed that the trees were
casting the shadows in the same direction as this shadow of the circle of this
aerial phenomena because it was higher than the trees but not too much higher
than the trees but it was close to the ground and it was spherical but slightly
elongated, not very much but slightly. I then said, is it a UFO? And he said,
"Well I can't tell you." And then I asked him, "What are you going to do
with this piece of information?" And he said, "Well we have to airbrush
these things out before we sell these photographs to the public." So I
realized at that point that there is a procedure setup to take care of this type
of information from the public.
E.D.: Isn't that remarkable gentlemen?
Stan McDaniels: Elaine, I was unable to really hear very much of that.
E.D.: Oh really? S.
McD: I did catch air brush it out.
E.D.: Alright, Stan can you hear this station break coming up?
S.
McD: Uh, sure.
E.D.: So alright, we are going into that, we'll be back in just a couple
of minutes BREAK
E.D.: Erol Toron, you are here?
E.T.: I'm still here
E.D.: Alright fine, Stan you said you could not hear the account that
Donna gave? S.
McD: Not very well.
E.D.: Alright, Keith would you like to recapitulate what Donna said?
Keith Morgan: Stan, what she said was that she was in the photo lab at
NASA and that she was looking at some photos and one showed an elliptical, white
object that was casting a shadow on the ground above some trees and the
technician in there, she asked him if it was a UFO? He said "I can't tell
you." She said what are you going to do with this kind of information? He
said "Well that is the kind of stuff that we airbrush out." S.
McD: Oh I see, thanks for that!
E.D.: So Donna that's approximately, essentially correct what you said,
right?
D.T.: Right!
E.D.: Yes well I, Stan I think that's quite startling, don't you?
S.
McD: Its speaks for itself.
E.D.: Yes it certainly does, Now Donna there is another matter that you
learned about when you were there at NASA. I believe this was through a third
party, a person that you were spending some time with who was a fellow NASA
employee?
D.T.: Right, in fact after we talked, I thought about another incident
with a guard that I would like to convey too that's very important. This man
that I had dated was in quarantine with the astronauts when they had come back
from the moon and I had talked to him about seeing this saucer (satellite
photos) and asked him if he had heard anything about that and he told me that
every astronaut, every moon trip had been followed by craft, by saucers, that
every one of them, every astronaut that went to the moon, now I don't know about
other sites but they all had seen it and all had been told to keep quite about
it and they were threatened with jail and their whole retirement, everything
taken away from them. They were also, this told me that if I ever told that he
said it, that he would deny it, that he would never admit that he told me all of
that.
E.D.: Did you hear that Stan?
S.McD: No
E.D.: Alright, ah, go ahead Keith, recapitulate. (Keith repeats
everything of that part that Donna Tietze stated, to McDaniel)
S.McD: Oh yes I see
E.D.: Yes and I believe that Donna you related to me, your friend came to
believe that the UFOs were instrumental in getting Apollo 13 that was, ah, our
disabled mission to the moon, was it 13?
D.T.: Right, well he said that it shouldn't have come back, I mean, there
was no, ah, they had help. And that was all he would say.
E.D.: All he would say?
D.T.: He said it was impossible for that craft to have gotten back home
E.D.: Donna you said that there was another matter that you wanted to
relate to us.
D.T.: Yes, something that I didn't talk to you about earlier. When I had
quite work, I had an office, I was doing illustration work at another office, in
another part of town. And a man that had been a guard at NASA during the time
came into my office and he had a large gash scar on his forehead and he told me
that he was a guard at NASA and that he was burning a lot of photographs of
UFOs. That was his job.
E.D.: Really (surprised)
D.T.: And he said he stopped to look at one too long and one of the
others, I gathered it was some type of military man, hit him in the head with a
gun butt and knocked him out.
E.D.: What? (shocked)
D.T.: Because he had looked at one of the photographs too long, he did
describe the photograph to me which I tend to believe was an accurate
photograph.
E.D: Oh, my god!
D.T.: He explained that it was a craft on the ground and it looked like,
it was like a regular saucer with like little bumps all over and he said it was
like it was burnt. He said cows in the field all had their tails stuck straight
up. At the time he said he didn't know when cattle were frightened, that their
tails would stick straight up. And he described this to me and since then, I did
describe it to someone that I thought might have looked at some of these photos,
possibly and they did look kind of frightened that I should know about that one.
(the next several minutes later the conversation is more about UFOs following
Apollo crafts to the moon)
E.D.: The second part of her account had to do with the stalking of our
space mission by UFOs of our space missions to the moon and so on. She even said
that they apparently helped in one case by bringing the Apollo 13 back, that was
the impression that she got and..
D.T.: Yes but they (aliens) also didn't want that craft to investigate
the part of the moon that they were going to, so they may have caused some of it
too, but it was supposed, we were told not to go but we ignored it. Now that's
what I've heard, that some of the stuff he was telling me.
E.D:. Did he say that, your direct contact?
D.T.: Yes!
E.D.: That the United States was told not to go to the moon?
D.T.: To that certain place on the back side of the moon.
E.D.: And did he know why we weren't supposed to go there?
D.T.: I guess they didn't want us to see something back there, I don't
know, I don't know that part. (interview winds down a few minutes later and the
show is out of time)
Donna Hare (formerly (Tietze) has spent most of her professional life
involved in the Space Program as a technical illustrator. She drew
lunar maps, landing slides and worked in the photo lab, Precision
Slide Lab. Her job was to reduce art work to one inch by one inch
drawings. She drew launch sites, landing sites and was employed as a
sub-contractor to NASA for over 15 years. She worked on flight manuals
for astronauts and has the wonderful ability to put words into images
but uniquely, learn to do everything backwards, including mathematical
computations, the writing of words, to put it simply, this woman has
seen just about all the different kinds of images one could see that
are used in Space Programs today.
Sergeant Karl Wolfe, is another witness who has come forward to reveal
that he also saw NASA photos being altered to erase anomalies on the
Moons surface which were filmed from the Lunar Orbiter. He was asked
to visit an area of Langley Air Force Base, where he viewed 35mm film
images being processed by NSA agents. He claims that he saw 35mm
strips of film which were spliced together to make 18 1/2" x 11"
mosaics of the lunar surface for release to the general public. An
officer told him that there was a Moon base on the dark side of the
Moon and that it was they're job to erase them out. The film above
includes interviews and photo examples where NASA have erased evidence
from the Moon photographs.
Elaine Douglass: This is Elaine Douglass, WOL News-Talk Network, our show
is UFOs Saturday Night and I'm here in the studio with Keith Morgan and our
topic is the Face On Mars. We have a new guest on the air with us, Donna Tietze...
Donna, you are also with three scientists who are on the air with us and that
would be Stan McDaniels from California, Errol Toron from the east coast and Dan
Drason whose in Colorado. The reason that I asked Donna to come on the show,
Donna is in Houston, Texas and kind enough to join us tonight to tell us some
very interesting things she observed while working at NASA. Donna is an educator
and she is working on her Masters in Education. In the past Donna, as I
understand that you held a position for 15 years with a contractor at the NASA
Johnson Space Center in Houston. You were a photo technician?